His preoccupation with the lost property sends him spiraling through a series of hilarious mishaps as he attempts to get revenge. Things seem to be going just fine for the red-spectacled, fitted-suit wearing Christian until he is robbed of his phone and wallet in a disorienting exchange on the street outside of the museum. situations where there are two or more opportunities and none of them are easy." His hyperawareness of the discomfort of human relations and sense of wit makes for a film much like looking in a high-definition funhouse mirror inciting the viewer to look critically at themselves and their place in society, while also elucidating the inane absurdity of the society itself.ĭepicts a hyper-capitalist society brimming with intellectual snobbery. Claes Bang plays Christian, a handsome, smug, self-assured curator at a Stockholm Contemporary Art Museum called X-Royal. ![]() Says Östlund, "I'm interested in creating dilemmas for the characters in my films. In an interview at Cannes, Östlund states that the ideal balance he strives for in his works is a "combination of sociology, stand-up comedy, and horrifying awkward moments." Östlund's characters are tragically human, composed on the surface but unraveling at the seams. Often it is the softest moments that hold the most weight. Much like a Beethoven symphony, it shifts tempos, volumes, and moods rapidly and with great precision. But for Östlund, the obvious comedy of contemporary art culture makes it that much more difficult to satirize, and consequentlyĭoesn't take the easy route by simply slapping you in the face with jokes that make you say "oh my god, that is so true!" While there are certainly striking comedic moments that will resonate with anyone who has ever been to a gallery before, the film's comedic brilliance lies in the nuances. The contemporary art world is rife for satirical commentary, and not solely from the folks who walk around museums saying, "I don't get it, my dumb grandson could do that." Admit it: the culture surrounding "high art" can be pretty absurd with its glitz, glamor, and excessive, complicated use of SAT-level vocabulary. Takes a stab at the contemporary art world, and its portrayal cuts deep. ![]() , this year's winner of the Palme d'Or Award at Cannes, ![]() Is quickly becoming an icon of contemporary cinema with his quiet, hyper-realistic, subtly hilarious but uncomfortably awkward films. Swedish director Ruben Östlund (most known for his film
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